Top 10 Films of 2019

No I haven't seen Uncut Gems, or Hustlers, or Judy, or The Lighthouse, or Parasite…yet…

However with the Oscars come and (long) gone, I can firmly say these are my Top 10 Films of 2019…also maybe you can check some of these films out while we're all socially distancing ourselves amidst the pandemic.

10. Klaus
Directed by Sergio Pablos
Starring Jason Schwartzman, JK Simmons, and Rashida Jones

As someone who loves the Christmas season, and grew up on hand-drawn animated films, Klaus was a real gift. The animation? Beautiful. The story? Familiar but at the same time unique. The voice cast? Spot on, from Jason Schwartzman as the spoiled protagonist who learns to love more than himself, to JK Simmons as a pitch-perfect Santa Claus, or Klaus. I truly see Klaus becoming the next great holiday classic, and I'm sorry but it should have won the Oscar for Best Animated Feature, not Toy Story 4.
(Original Review)


9. Frozen 2
Directed by Chris Buck & Jennifer Lee
Starring Idina Menzel, Kristen Bell, and Josh Gad

Klaus getting nominated for Best Animated Feature, but Frozen 2 not getting nominated is almost like some tragic but necessary trade-off. Frozen 2 is wonderful achievement by Disney, in that it's truly a worthy animated sequel. It's not better or worse than it's predecessor but sits as a nice companion to it. It advances the characters in the right direction, which are brought to life with amazing vocal performances and stunning computer animation. I do wish they fleshed out the mythology a little more but still, it sticks the landing. Oh and the music is still stuck in my head. Not too hate on Toy Story 4 (Because I don't hate it) but Frozen 2 was definitely the better Disney sequel of last year.
(Original Review)


8. Shazam
Directed by David Sanberg
Starring Zachary Levi, Asher Angel, and Jack Dylan Grazer

Shazam was a ton of fun. It's part 90's film, part modern superhero film, and honestly it stars my hero Chuck Bartowski aka Zachary Levi so there was no way I wasn't going to end up loving this. But regardless of my subjectiveity Shazam is easily one of the most unique, fun, and heartwarming superhero films in recent years. Levi is his usual charming, hilarious self in the titular role, which was practically made for him. Asher Angel and Jack Dylan Grazer are amazing talents for their age. The script allows Angel, as Billy Batson, to carry the heavier, more dramatic moments while Levi handles the comedic, energized moments. Grazer handles both sides of the story well and plays off both of his co-stars with ease. As much as I enjoy it, the film does start to lose its pacing in the third act, and director David Sanberg's horror-film background does show up a little too much at times. I didn't write a full-review for Shazam so I went a bit more in-depth here, but it was another mark in the win column for DC. It's a special kind of movie-magic, like lightning (heh) in a bottle.


7. How To Train Your Dragon: The Hidden World
Directed by Dean DeBlois
Starring Jay Baruchel, America Ferrera, and Cate Blanchett

I swear this is the last time I'm going to talk about the 2019 Oscar for Best Animated Feature category…but look. As the year went on, the already slim chances of the third How To Train Your Dragon film taking home the trophy dwindled and dwindled. That much was clear. Regardless, it doesn't sting any less, seeing another Toy Story film take the Oscar away from another How To Train Your Dragon film. They could have given it as like a "win for the franchise" Oscar like The Return of The King…Not the right year I guess. Alright, End Rant. The How To Train Your Dragon film ends the fantasy/coming-of-age story on a beautiful, resonating note. As the final film it hit all the notes it needed to, while giving viewers all that we expect from the franchise: Wonderful animation, lovable characters, and a story that sucker punches you right in the heart (I ugly cried). You fall in love with the relationship of Hiccup and Toothless all over again and my God it hurts so much but it's alright. Then of course there's the absolutely epic score from John Powell, who was also robbed of an Oscar nomination. The How To Train Your Dragon trilogy is one of the best animated film trilogies-no, one of the best film trilogies to ever grace the silver screen. The third film might not be the best but it wraps everything up in a perfect package.
(Original Review)


6. Pokemon: Detective Pikachu
Directed by Rob Letterman
Starring Ryan Reynolds, Justice Smith, and Kathryn Newton

As a Pokemon fan for the majority of my adolescence and kinda still to this day, Detective Pikachu was a gift. It was such a surprise. It's so simple, but so much fun. Adapting one of the spinoff games instead of the main ones was a gamble that paid off well, and Ryan Reynolds is perfect as the titular character. The big draw of course was seeing all our favorite Pocket Monsters on the big screen, and they look amazing. Come for the Pokemon, stay for the fun (sometimes silly) storyline. Detective Pikachu is just a fun time at the movies.
(Original Review)


5. Knives Out
Directed by Rian Johnson
Starring Ana de Armas, Daniel Craig and Chris Evans

I couldn't tell you the last time I left a theater feeling as "jazzed up" as I did when I left my screening of Knives Out. Rian Johnson delivers an instant classic of a whodunnit, as only Rian Johnson can. There's so many twists and turns along the way, I was locked in until the credits rolled. Along the way of course are plenty of amazing performances from a hella great ensemble cast. Ana de Armas is wonderful, Daniel Craig is a delight to watch, and Chris Evans gives an unforgettable performance that's a stark contrast to good old Captain America. Knives Out leaves a real impression on you as a modern-day, Agatha Christie-like mystery. It's unique, compelling, and I can't wait to watch it again.

4. Joker
Directed by Todd Phillips
Starring Joaquin Phoenix, Robert DeNiro, and Zazie Beetz

I left Knives Out jazzed up. I left Joker shook up. That's right, Joker left me "shooketh". It's a chilling portrayal of a character that could very well exist in our world. Yes it's an origin story for Batman's greatest enemy, but this hardly feels like a superhero film. This is a character study with Batman elements peppered in for flavor. By taking issues of mental illness and social class and applying them to these iconic characters, it makes them almost more tangible, accessible. At the center of all of this is Joaquin Phoenix, playing a character we sympathize with, and slowly start to fear. Was there ever any doubt he was going to get the Oscar? The cinematography is great. The Academy Award-winning score is haunting. All the pieces were there to make Joker the memorable film that is, and why it resonated with audiences all the way through awards season.
(Original Review)



3. Jojo Rabbit
Directed by Taika Waititi
Starring Roman Griffin Davis, Thomasin McKenzie, Scarlett Johansson, and Taika Waititi

I love Jojo Rabbit and all its powerful, unique, beautiful weirdness. I think it's such an important film for our time, in that it shows us when we're being taught so much how to fear and hate, we can learn to understand and love instead. While there have been so many World War II films, this one takes it in a different direction, putting Nazi Germany through the eyes of an innocent child. While the cast is amazing, and full of old favorites, the two young leads carry the picture. Scarlett Johansson, Sam Rockwell, and Taika Waititi are all amazing. The film has such a beautiful visual style, and has got plenty of clever, offbeat humor. Jojo Rabbit makes you smile and breaks your heart at the same time. I stand by my belief that it's a must-see film.
(Original Review)


2. Rocketman
Directed by Dexter Fletcher
Starring Taron Edgerton, Jamie Bell, and Richard Madden

Rocketman is a biopic like you've never seen before, and it's a musical like you've never seen before, because it's a true, musical biopic. It's such a flashily, positive spectacle, which is perfect for the subject matter, the life of Sir Elton John. The new renditions of classic Elton John tracks are amazing, only adding to his already wonderful discography. Taron Edgerton gives a career-defining performance as Sir Elton, and he's backed by wonderful supporting performances from Jamie Bell, Richard Madden, and Bryce Dallas Howard. But what really gives Rocketman its lasting power is its story about a young man learning to love himself and be true to who he is. Again I think that's a really important message for our time. Sure Rocketman may follow the classic guidelines of a biopic, but it's heart, music, and message make it stand out above the rest.

Before we get to what I'm sure you already know is #1, some honorable mentions:

Yesterday: Quite possibly one of the most unique concepts we've gotten on film in a long time. Definitely an underrated gem that slipped under most of our radars.

Spider-Man: Far From Home: Even better than Homecoming, this film takes the MCU Spider-Man to exciting, emotional places. The film's packed with amazing visuals, and wonderful, hilarious character moments.

A Beautiful Day In The Neighborhood: A heartwarming story that shows the true power Mr. Rogers had, not just on children but adults. No one but Tom Hanks could play that man.

The Irishman: Peak Scorsese. It's his usual gangsters/brotherhood faire, elevated with themes of legacy and mortality. Every scene captures your attention, and the performances from the three leads are truly some of their best work.

Marriage Story: Such a real, bittersweet look at love and how it can survive during and after a divorce. Adam Driver and Scarlett Johansson are amazing.

Ford V Ferrari: A great story about partnership/friendship. The racing scenes are incredibly well-edited, and keep you on the edge of your seat.

Star Wars: The Rise of Skywalker: I don't need to explain myself to you...

And some others I haven't seen yet but want to: Just Mercy, Richard Jewell, Us…

…So yeah.

1. Avengers Endgame:
Directed by Joe & Anthony Russo
Starring Robert Downey Jr, Chris Evans, Scarlett Johansson, and the rest!

The finale to the first saga of the Marvel Cinematic Universe was an unforgettable experience to witness for the first time on the big screen. I cheered…a lot. I cried…a lot. Well, it's what you would expect when one follows a series and its characters for almost half of your life. There was plenty of surprises, iconic visuals and moments. The cast members give some of their best work of the franchise. Alan Silversti's music is legendary (He deserved a damn Oscar nomination, and a win too.). It wraps everything up while also setting the stage for what could come next. We're approaching it's one-year anniversary and honestly the film is just as good as it was the first time I saw it. I only wish I could erase my memory and see it for the first time again. Avengers: Endgame was a near-perfect finale to one of the largest stories ever told in cinema, and was truly a defining moment for film in 2019.
(Original Review)

So if there's one big takeaway from all this is I guess that I think a lot of films deserved more from the Oscars this year. Klaus deserved more. How To Train Your Dragon 3 deserved more. Jojo Rabbit, Rocketman, Endgame all deserved more. But hey watch what you like and own it. All entertainment is subjective right? And hey maybe revisit some of these films while you chill inside and away from other people while the world falls apart? That's what I'm doing. And probably catching up on some films I missed. I mean I haven't done a review for The Rise of Skywalker yet…maybe when it's safer I'll go to the store and buy copy…

Film Review - "Jojo Rabbit"

Jojo Rabbit
Directed by Taika Waititi
Starring Roman Griffin Davis, Thomasin McKenzie, Scarlett Johansson, and Taika Waititi

A lot can factor into who a person is or becomes, from who they spend time with, to what they're exposed to by the media. Our environment can shape our identity in extraordinary ways. But environments change, and how we respond to those changes can also shape us.
Jojo Rabbit, the latest film from Taika Waititi, has its main character experience such changes in one of the grimmest environments our world has ever known. This makes for a truly clever, bold and bittersweet film.

The film tells the story of Johannes "Jojo" Beltzer (Davis), a ten-year-old boy living in Nazi-Germany. Jojo is blindly devoted to his country's government, with dreams of becoming a Nazi, and even having a version of Adolf Hitler (Waititi) as an imaginary friend. One day, he discovers Elsa (McKenzie), a Jewish girl being hidden in his home by his mother Rosie (Johnasson). Unable to turn her in, as it would result in trouble for him and his mother, Jojo agrees to let Elsa stay provided he teach her "Jew secrets" for his self-published expose'. Elsa is more than happy to "enlighten" him and they form an unlikely friendship, much to the chagrin of Imaginary Hitler, and Jojo's beliefs are put into question.

This is truly one of the most unique stories put to screen in recent years. Germany during World War II is a setting that's not foreign to filmmaking, but for comedy, outside of the works of Mel Brooks it's really never been done. It's also unique in that hardly ever before, has this period in history been told in film from the perspective of a child. That gives it almost a bizarre innocence to it, while also heightening the tension of the situation. I will say that while this is a comedy, it's no "Springtime for Hitler" romp. There are extended comical sequences but they're seamlessly intertwined with the emotional, dramatic sequences.

That's a credit to writer/director Taika Waititi. One hang-up I initially had with his last film, Thor: Ragnarok, is that too many dramatic moments were immediately undercut by a funny line or gag. That is not the case with Jojo. The comedy is used as counterweight to the drama, and doesn't take away from it. It shows how much Waititi is a master of the craft of tone, and storytelling. Speaking of story, his script offers a lot more than "Nazi's are bad". It's a story about loving one another, what makes a person good or bad, and like I mentioned earlier, how we are effected by the environment were brought up in.

As far as that second point, each of the major players is given proper character development. Jojo learns that Elsa, a Jewish girl, isn't bad as he has been led to believe. We as the audience know Jojo is a Hitler Youth, but we see he is just an innocent little boy, who really doesn't know any better. The Nazi's in the film are portrayed as radical, incompetent buffoons, but some of them may just have hearts (which I'll get to). The world of Jojo Rabbit isn't straight black and white, as far as "The Jews are good and the Nazi's are bad." and that's a bold and human way to approach this story.

These characterizations are brought to life by a truly amazing class. The film is carried by the two stellar young talents, Roman Griffin Davis and Thomasin McKenzie. Davis, in his first film role ever, turns in a wonderful performance as Jojo. The audience can truly sympathize and root for Jojo as he goes through this journey, while also having a few laughs at his expense. It's one of the most charming child performances in recent years. McKenzie is a great foil to him, making Elsa very tough and cynical, while at the same time fragile and sincere. Each of these characters have an edge to them but at the end of the day are just scared kids in a dark period of time.

Scarlett Johansson as Jojo's mother Rosie is absolutely delightful, almost like a beacon of sunshine in this gloomy world. She's warm, charming, and comical, but you also feel her pain as a single mother to a Hitler Youth, while she herself resists the Nazi regime. That's a lot for one supporting performance and Johansson nails it (Oscar nomination, anyone?). Speaking of Oscar nominations, Academy Award Winner Sam Rockwell gives perhaps my favorite performance in the film as Captain Klenzendorf. He's so much more than a moronic caricature of a Nazi officer. There's actually dare I say, heart to him, as we see in his scenes with Davis. I could easily see Rockwell getting another Oscar nomination for this.

Taika Waititi is really something else as Imaginary Hitler. He's hilarious, but also a threat to Jojo's character development. Waititi does a great juggling act of playing this imaginary friend that acts as a young man's way of feeling less alone, and a young man's struggle to follow his heart or his government. Imaginary Hitler is, for lack of better phrase, Jojo's inner demon, and Waititi knows when to play the comical side and the serious side of the character. Archie Yates as Jojo's best friend Yorki is the most wonderful scene stealer. Stephen Merchant has a brief but chilling role as a Gustapo agent. He does get one gag about "Heil Hitler"ing everyone he sees but his performance is 99% tense.

As far as way Jojo is filmed, there's some really great shot composition on display. Many frames of the film look like bizarre pastel World War II paintings from some alternate universe (I say bizarre because there's an imaginary version of Hitler in them), and the over-saturation in some shots gives the film a Wes Anderson vibe. Michael Giacchino scores the film, and he gives us some of his usual fine work. The music he composes for Jojo is both sweet and somber, akin to his work on Up.

I would dare to say Jojo Rabbit is a must-see film. It can put a smile on your face, but also give you a harsh reality check. At a time where so many actions are driven by hate and prejudice, this film (which takes place in a time where actions very driven by hate and prejudice) reminds viewers the power of love and hope. It's a perfect balancing act of comedy and drama, that's wonderfully written and performed from beginning to end. If you haven't seen it yet, get to theater now before Tom Hanks' take on Mr. Rogers, and another character named Elsa swarm the box office…