Film Review - "Moana 2"

Back in the early nineties, Disney began production on a television series that would be a follow-up to their film Aladdin. The premiere of the series was going to be an hour-long special, as was common for many Disney animated series, but along the way gears were shifted and the first four (five?) episodes were strung together as a "feature-film". 

This would become The Return of Jafar, the first of (unfortunately) many direct-to-video Disney sequels. The film was not well-received by critics, but easily made back its small budget and became one of the best-selling home-video releases of all time.

Thirty years or so later, history has repeated itself...

Moana 2

Directed by David Derrick Jr, Jason Hand, and Dana Ledoux Miller

Starring Auli'i Cravallho and Dwayne "The Rock" Johnson

The follow-up to 2016's Moana was initially planned as a series on Disney Plus, but then the world was surprised to find out in February of 2024 that the series had be reworked into a feature-film and that it was due for theatrical release last November, only nine months after the first teaser dropped. 

Critics were lukewarm on the final product, but Moana 2 would go on to become the fourth highest-grossing film of 2024, remaining number one at the box office for nearly a month, and smashing all sorts of records, including doubling Frozen 2's opening weekend numbers. History really does repeat itself.

Some of the more cynical critics and content creators will tell you Moana 2 is another sign of Disney's downfall, a disgrace to the brand, you know how it goes...I'm not one of them. While it doesn't reach the heights of the original, I enjoyed the film, and it doesn't (totally) feel like it was a miniseries that was reworked in the eleventh hour. I will explain...

Moana (Cravallho) now spends her days exploring the waters beyond Motunui in search of other tribes but to no avail. A vision from her ancestors say this is because the storm god Nalo once sank the island Motufetu which connected all the islands in the ocean (Like Yggdrasil The World Tree for you Norse mythology fans). Moana must embark on a deadly quest to raise the island, to reconnect the people of the ocean, and save her tribe from eventual extinction.

At its basic core, the story is pretty much following the same map as the original i.e. Moana going out on a daring voyage to a legendary island to "save the world" but the film progresses the story to a natural place. Moana is now Motunui's lead voyager. The first film was about her reconnecting her people with the ocean, now it's about her reconnecting everyone in the ocean. 

There was only one particular sequence in the film that I could identify as "an episode" of what was once the miniseries, but on future rewatches maybe others will become clearer. One returning character's role definitely seemed like it was cut down to save time, or maybe that's just the impression the editing on their first scene left. Regardless, everything flows pretty naturally from beginning to end. The climax is particularly thrilling and certainly gave the film a boost of adrenaline in its final moments, however a couple of cliche' moments sort of weighed it down (avoiding spoilers).

The film's greatest weakness is its new characters, who all are very one-note and don't offer very much to the plot. Moana's crew contains Lolo (Rose Matafeo), an eccentric inventor, Moni (Hualālai Chung) a fanboy of Maui, and Keke (David Fane), a grumpy farmer. That's pretty much all there is to these characters. I cannot think of anything significant any of them contributed. Then there's also Matangi (Awhimai Fraser) who is Nalo's enforcer and a demigod who controls bats. The first half of the film spends time setting her up like she will be a big player later on, but that never turns out to be the case (aside from singing the best song of the film). I hate to say it, but I feel like in what was once the miniseries, each of these characters were given their due.

The animation, despite not being produced in house at Disney (It was done at the Vancouver Studio) is very gorgeous. While it may not dazzle or break ground like the animation in the original, it still reaches the Disney standard. The water effects are still beautiful and make me wish I lived on an island and had a boat. 

Everybody has made some sort of joke or comment about what the loss of Lin-Manuel Miranda has done to this film and its music. First of all, Mark Mancia and Opetaia Foa'i returned to do the score so there's that. Second, I thought the songs were just fine. Again, Matangi's song, "Get Lost" is the best song of the film and I was playing it on loop on the car ride home from the theater. Maui's new song "Can I Get A Chee Hoo?" is a fun "pump-up" song but man, it sounds kind of similar to The Rock's "Its about drive, it's about power" rap in places and that's funny to me. I concede that you can't Out-Lin-Manuel Miranda Lin-Manuel Miranda but these new songs by Abigail Barlow and Emily Bear get the job done.

I don't have much to say about the voice acting. Auli'i Cravallho is still an international treasure and crushes every second of playing Moana. I will die on the hill that Maui is Dwayne "The Rock" Johnson's best role. He has some really good moments in this film, but I still say his performance in the original is better. Everyone else is fine, but again, there characters really didn't have much to do or leave much of an impression.

I would love to have been a fly on the wall in the editing room, or at the very least in the meeting where they decided the miniseries was going to be retrofitted into a sequel. We may never know what really went down, but if they could give us a whole miniseries showing the behind the scenes of Frozen 2 (Streaming on Disney Plus and a worthwhile watch) I suppose anything's possible. Moana 2 is no The Return of Jafar. While it may not reach the grand heights of the original, it is a very enjoyable film that easily surprises many of Disney's direct-to-video sequels (and Ralph Breaks The Internet I'm not afraid to say it). 

It's still playing in theaters because it made all the money (and January is a crapshoot for films) but you probably wouldn't be missing out too much if you waited to watch it on Disney Plus (as God intended?).

Anyway, tune in next time when I tell you about a sequel I really did not like...or I finally do my Top 10 Lists of 2022, 2023, and now 2024. I don't know. We'll see what happens...

...Damn I didn't even touch on the fact Moana has a little sister now....She has a little sister now...cool.

 

Film Review - "The Little Mermaid" (2023)

The Little Mermaid

Directed by Rob Marshall

Starring Halle Bailey, John Hauer-King, and Melissa McCarthy

Somehow, the Disney live-action remakes continue to survive in this new decade. For a hot minute, it seemed like they were going the way of the Disney Direct-to-Video Sequels, and becoming the Disney Direct-to-Streaming Remakes. Thanks to a little something called COVID-19, theaters no longer became the safest nor most ideal way to watch new releases. Disney and other studios had to try new ways to get their major releases to audiences. 

While releasing three live-action remakes to theaters in 2019 (Dumbo, Aladdin, and The Lion King), they decided to have the next one, Lady & The Tramp, go to their new streaming service when it launched later that year. About a year's worth of COVID later, Disney scrapped the theatrical release of the Mulan remake in the states, and dropped it on Disney Plus via Premier Access ($30 on top of the monthly subscription fee).

As time went on, the world started to bounce back, and more films were being released to theaters again. However, Disney remakes such as Pinocchio and Peter Pan & Wendy were unceremoniously dropped on Disney Plus, with no Premier Access fee, and to critical backlash (Shocking, I know...)

It looked like the Disney remake was going to slip into a state of obscurity, until last month when Rob Marshall's new take on The Little Mermaid became the first Disney remake released to theaters in four years. The film has done fairly well with critics and audiences alike...

...Now you're probably expecting what comes next is I do the usual tearing this film to shreds, and get on my soapbox about how these remakes are the death of Disney and cinema as we know it...No, I actually enjoyed this...well, most of it.

You know the story. I know the story. But for the sake of formality, The Little Mermaid tells the story of a young mermaid named Ariel (Bailey), who is the youngest daughter of Triton (Javier Bardem), the king of the sea. Triton forbids any contact with the surface world, which is unfortunate because Ariel is fascinated with it, and that only increases when she rescues Prince Eric (Hayer-King) from a shipwreck. While Ariel strives to be "part of that world", Ursula the Sea Witch (McCarthy) sees this as an opportunity to seize power from Titron and take control of the seas.

The Little Mermaid doesn't stray too far from the blueprint of the original until about the second-act, which is when the film really starts to stand on its own two legs (Heh). The films spends more time building up the relationship between Ariel and Eric. There's much more depth (Ha) to Eric's character this time around. He has more wants, more motivation, and importantly more of a real connection with Ariel. That's pretty much all the new ground Mermaid 2023 covers. There's hints about what happened to Ariel's mother (Allusion to the direct-to-video prequel Ariel's Beginning?) and a deeper connection to  Triton and Ursula (Borrowed from the Broadway musical) but neither additions are explored too much to leave an impact. Also there's a rather confusing addition to Ursula's spell that turns Ariel human that ultimately serves no purpose.

Halle Bailey is absolutely amazing as Ariel. She carries this film, and nails every aspect of the character. The innate curiosity and radiant positivity of the titular mermaid are all on display here. There's more agency and maturity to the character this time around, which I can admire and respect. Bailey is also a powerhouse of a singer. I'm ashamed to admit that her rendition of "Part of Your World" brought a tear or two to my eye. She commands the attention of the audience every time she's on screen. This is a career-making performance.

Casting has never been a major problem for these Disney remakes. Melissa McCarthy is an absolute delight as Ursula, and you can tell she's having a ton of fun playing one of Disney's most bodacious villains. Her performance is both inspired by the original Ursula, Pat Caroll, and her own unique take.

Daveed Diggs is a very charming and comical Sebastian. He has great comedic timing with Akwafina's Scuttle, who is also quite funny in her own right. Jacob Tremblay makes a fine and cute Flounder, but his role is rather limited in this film. John Hauer-King is great as Prince Eric and has undeniable chemistry with Bailey. His performance is almost as commanding as hers. Unfortunately the only cast member that did not work for me was Javier Bardem as King Triton. His performance is very wooden and a little too subtle for a character that has unchecked rage and the burden of being a single father to seven. Maybe it was the CGI and wire-work that stunted him. 

Speaking of CGI, let's talk about it. The hyper-realistic CGI animals in these remakes has always been questionable. I don't know how they pulled it off in The Jungle Book, it didn't work in The Lion King, and I didn't see Lady & The Tramp. Here...it's not that bad. Scuttle is very expressive. Sebastian it's about 50-50. Flotsam and Jetsam (Ursula's pair of eels) are pretty creepy, and rightfully so, but I'm sorry to say to all the Flotsam and Jetsam fans out there, that they get the "Iago in Aladdin 2019" treatment. They don't talk, and are more of a plot device than actual characters.  The CGI doesn't work at all for hyper-realistic, Jacob Tremblay-voiced Flounder, which probably makes it a blessing that he's not in the film very much. 

That's a perfect segue into the underwater effects of the film. It's pretty hit and miss. Sometimes its rather pretty, other times it's a little distracting. There are times where it's pretty clear the actors are just floating in front of a green screen. Also, the design of the underwater kingdom is pretty unimaginative. It's just generic coral reef. Conversely, the visuals on the surface world are pretty spectacular, particularly the fiery shipwreck scene, and the "Kiss The Girl" sequence. The sets for Eric's kingdom are all very impressive, and give off a nice combination of tropical and classical vibes.

Now we have to talk about the music. This is (mostly) some of the best music a Disney remake has had in awhile. Which isn't that high of a compliment because it's just the classic work of Alan Menken and the late Howard Ashman rearranged, but damn is it effective here. Again, Halle crushes "Part of Your World". McCarthy's rendition of "Poor Unfortunate Souls" is infectiously catchy. "Under The Sea" is again a show-stopper, but the visuals don't quite match the song's energy. "Kiss The Girl" is one of my favorite Disney songs and I'm happy to say I wasn't disappointed with it. 

Lin-Manuel Miranda was brought in to compose some new songs. Prince Eric's new song "Wild Uncharted Waters" is like a gender-swapped, Disney Princess"I want song", with grand orchestrations and sweeping camera movements. It's like an Alan Menken version of "Bet On It" from High School Musical 2. "For The First Time" is a new song for Ariel to sing when she gets on land, and it's a low-key bop. Scuttle and Sebastian's new...rap..."The Scuttlebutt"...is incredibly out-of-place and stops the film dead in its tracks. Just because you got two rappers in your cast and Lin Manuel doing the music doesn't mean you should, guys. You girl-bossed too close to the sun...

I can confidently say that The Little Mermaid is the most I've enjoyed a Disney remake since the 2017 Beauty & The Beast. I look at it very much in the same light. It's not a perfect film, but it is a lovely tribute to the animated original, and a fine cornerstone in its legacy. It has enough to warrant your time, including wonderful performances and new renditions of beloved Disney tunes. 

This is arguably the new gold standard for Disney remakes, wether they go to theaters or Disney Plus (Sounds like it's going to be a film-by-film basis). We can only hope they can be as respectful and entertaining as The Little Mermaid.

 

Film Review- "Moana"

"Oh man here we go. Chris is going to blindly fangirl all about the new Disney film regardless of how good or bad it really is."

Hey….shut up…and that's exactly what I'm going to do because Moana is awesome.

Moana
Directed by John Musker & Ron Celements
Starring Auli'i Cravalho and Dwayne "The Rock" Johnson

Let me just say how nice it is to be in the period we're calling The Disney Revival. For the unitiated that's the string of films that began in 2009 with The Princess & The Frog and continues up to the present day. The Mouse's animated output hasn't been this consistent in quality since the Disney Renaissance in the nineties, and if you still don't know what I'm talking about consult this. Point I'm trying to make here, is that there was no doubt that Moana would deliver, and deliver it did.

The film opens by flash-backing to a time when the goddess Te Fiti created life and rose multiple islands to the surface of the ocean. Once her work was complete she too became an island. Shortly afterward the shape-shifting demigod Maui (Johnson), stole her heart and source of power, a ponamu stone. Shortly after that, Maui loses the heart and his magical fish hook in a battle with the lava monster Te Ka, cursing the world for thousands of years to come.

Back to present day, and Moana (Cravalho), the daughter of the chief on the island of Motunui, discovers the ponamu stone, and learns from her grandmother (Rachel House) the ocean has chosen her to return the heart of Te Fiti and bring peace back to the world. Against her father's wishes, Moana leaves her island home to find Maui and get his assistance in returning the heart, and therefore save the world.

The story of Moana is simple in structure, but rich in themes of identity, heritage, and self-worth. You can surely draw parallels between Moana and fellow Disney princesses (She dreams of more, and while a certain little mermaid wants to go on land and her father wants her to stay in the sea, Moana wants to go into the sea and her father wants to stay on land. Man, imagine the fan-fictions.). Nevertheless, Moana is a well-developed character. She wants to do right by her family, but she can't shake the desire to forge her own path, and she struggles to define who she really is. In turn Maui is another well developed Disney lead. On the surface he may seem like he's there for just comic relief, but he's an undoubtedfly flawed, three-dimensional character who also has his own issues of identity to work with.

Together these two characters work together so well, creating another dynamic Disney duo, that build off and strengthen one another throughout the film. Their voice actors, the newcomer Cravalho and everybody's favorite superstar The Rock bring these characters to life and have great chemistry. Cravalho is a true tour de force as Moana, and her performance is the foundation of the entire film. The Rock surprisingly gives a truly heartfelt performance, with his typical charm and humor as Maui. The rest of this voice cast you're not likely to recognize, but each actor embodies his or her character perfectly. Special props go to Rachel House as Moana's grandmother Tala, and Alan Tudyk as Hei Hei.

That's right. That's Alan Tudyk clucking away as that chicken. Give the man an Oscar…by the way how come the animal sidekicks don't talk or have their own songs in Disney films anymore? I miss it…

Speaking of songs, they're unbelievably catchy, crafted by Opetaia Foa'i and Hamilton himself, Lin Manuel Miranda. Each piece is a perfect blend of beautiful and bouncy. Cravalho, only sixteen years old, endures pure awe and chills in many of Moana's songs. Guys, The Rock can sing!! He's only got one number in the film but he nails it. Also, Jermaine Clement of Flight of The Concords shows up for a very interesting song as Tamatoa, a giant crab monster.

The animation in Moana is gorgeous. The setting of South Pacific islands, combined with the story's magical elements, give way for some truly breathtaking visuals, making Moana a real masterpiece of a feast (masterfeast?) for the eyes. You can clearly see that the technology has improved in the short time between Frozen and now.

Moana will rightfully takes its place in the parthenon of Disney animated classics. Wonderful characters, catchy songs, and beautiful animation are the ingredients for another Disney winner, that should get all the repeat viewings in the years to come.

...I feel like I should touch more on the concept of Disney Animation Eras. Sometimes The Package Feature Era is called The War-Time Era, because while they are all package features, that's all they could afford to make because the majority of the studios funding was directed towards making World War II related features, so you know either is appropriate. Also, sometimes The Dark Age is clumped in with The Bronze Age because really, is anyone from Disney really going to call a period of the company "The Dark Age"?

…I should quit while I'm ahead…