Film Review - "The Wild Robot"

Lot of animated films about robots coming out lately...

The Wild Robot
Directed by Chris Sanders

Starring Lupita Nyong'o, Pedro Pascal, and Kit Connor

Based on the book by Peter Brown, The Wild Robot tells the story of a service robot, ROZZUM Unit #7134, or "Roz" for short (Nyong'o) who becomes stranded on an island devoid of humanity. Roz stumbles across the egg of an orphaned baby goose. The baby, a runt, hatches and imprints on the robot, seeing her as his mother. Roz is built to serve and assist, and makes it her mission to raise this goose, later named Brightbill (Connor) and teach him to survive in the wild.

That's the basis of this beautiful, deeply-layered film from Writer-Director Chris Sanders, who has previously brought us the likes of Lilo & Stitch and How To Train Your Dragon. There's so much to take away here, for both kids and adults. The Wild Robot is rich with themes of nature vs nurture, overcoming adversity, blood family, found family, parenting, community, and acceptance. It's a film that audiences are able to walk away with something new after every viewing. 

The film also has a lot of dark humor which I got a kick of, and apparently a lot of the young kids in my theater did too. It's nice to see animated films not play down to children. The film gives off vibes of a Don Bluth film or classic Disney works, which isn't surprising since Sanders got his start with the latter. The visuals and aesthetic can drum up memories of Bambi or The Fox & The Hound, and it's easy to draw comparisons to Wall-E or Big Hero Six. However The Wild Robot is so much more than that...like if 

Bambi and Wall-E had a baby, and that baby was raised by Baymax from Big Hero 6.

All that being said, the film has its own unique look and is absolutely gorgeous. The scenery and background almost look hand-painted. The way they play with colors and lighting is stunning. There is so much iconic imagery that made me go "I want to try and draw that shot." Roz's design is very sleek and simplistic, but how the lighting plays into her programming is what takes it to the next level. All the animals have a very classic "Dreamworks" look to them but their textures and movements make them deceptively look hand-drawn at times.

This is a very personal side-note, but when the first trailer for this film dropped, I was very intrigued because it had no dialogue, and the idea of a mainstream animated film with minimal dialogue excited me. I should've realized that wasn't the case right away, because they list all the famous voice actors at the end of that exact trailer. As more marketing for the film came out, they naturally started to show the animal characters talking, which I have no problem with. That's a trait hundreds of animated films share, many of which I love. The idea of one that deviated from the norm just intrigued me. Hell, I think not having the animal characters talk was one of Pocahontas's greatest strengths.

Regardless, I think the way this film allows the animals to talk is very clever, and the film is all the better for the fact that they talk. Not an animal in the film, but Lupita Nyong'o is perfect as Roz, balancing the technological and the emotional aspects of the character. Pedro Pascal disappears into Fink and gives a very charming performance as only he can. Kit Connor is a real standout as Brightbill, capturing the true essence of a young man (or goose) going through growing pains. It's just as much his film as it is Nyong'o's/Roz's.

The supporting cast is delightful. Catherine O'Hara is per usual both sweet and sassy as a mother opossum, and her babies steal a lot of scenes. Matt Berry has some fun moments as a beaver named Paddler. Ving Rhames pops up for a brief but delightful scene as a falcon who helps teach Brightbill to fly (If I had a nickel for every time Ving Rhames showed up unexpectedly in a 2024 animated film...) Bill Nighy is recognizable but nonetheless iconic as Longneck, an elder goose. I won't spoil Mark Hamill's character as I was waiting the whole film for him to show up, but when he does...it's great.

Composer Kris Bowers knocks it out of the park with the score. The music is so powerful, and reminiscent of John Powell's work in How To Train Your Dragon. I want this film to be nominated (and maybe win) Best Animated Feature at the Oscars this year, but I hope Bowers gets recognized too. This is a score worthing buying on vinyl.

The Wild Robot may just be one of Dreamworks Animations' best films yet. It's familiar but so powerful, and beautiful. I highly recommend seeing this one on the big screen with your families. Audiences of all ages can walk out with a smile of this one. In a year where we've already had the emotional gut-punch of Inside Out 2, the delightful surprise of Transformers One, and now this, it looks like this could be the first year in a while where there is no clear animated frontrunner come awards season...and that excites me. 

Animation. Is. Cinema...

Film Review - "A Quiet Place: Day One"

A Quiet Place: Day One

Directed by Michael Sarnoski

Starring Lupita Nyong'o, Joseph Quinn, and Alex Wolfff

I may not be a big horror film fan, but I have loved the A Quiet Place series. A unique premise combined with heartfelt storytelling and compelling characters make these films easily stand out in the genre. A prequel showing us the day "the world went quiet" could be considered unnecessary, particularly when you remember Part 2 gave us a good glimpse into that. A Quiet Place: Day One doesn't bring a lot of new material to the table, but don't let that dissuade you. It's a more than worthy prequel that delivers the same quality filmmaking you'd expect from the series while still leaving its own emotional impact. 

Sam (Nyong'o) is a terminally-ill cancer patient living in hospice. The day she reluctantly joins a group-outing in Manhattan is the day those terrifying monsters with exemplary hearing crash-land on Earth and begin terrorizing the population. 

While those that survive the initial attack shelter in silence and await military extraction, Sam makes a personal pilgrimage to Harlem for reasons I will not share here. Along the way she meets a distressed young man named Eric (Quinn) who she reluctantly allows to join her. Oh and there's also Sam's cat Frodo who you're either gonna love or hate because this is the luckiest, most chill cat in apocalypse-movie history.

(Wait...Sam...Frodo...son of a-)

Again, Day One doesn't add much to the lore of the franchise. It's still people trying to stay as silent as possible to survive, getting from one place to another. I will say though that Day One enforces the foundation the first two films laid out, specifically in how the inhabitants of this world will come to combat the monsters. There's no outright moment where someone goes "Oh you know what...we should shut up." but there's little clever moments here and there where you see how the world got from A to B.

But it's interesting to see how different characters in different environments and under different circumstances react to all this. Sam and Eric are not as fleshed out as the Krasinski-I mean Abbott Family in the first two films, frankly their motivations are little thin, but Nyong'o and Quinn's great performances help us to connect with the characters. Both of them are great at conveying so much with saying so little. Nyong'o arguably gives one of her best performances just on the fact alone. She's so expressive and so emotional. She lays it all out there on the screen for the viewer. I only watched the first season of Stranger Things, but I like this Joseph Quinn guy. He threads the line between charming and vulnerable very well. It's also nice to see Djimon Hounsou again, providing a nice connection to Part 2, although he doesn't do too much.

Once again the use of sound in a Quiet Place film does not disappoint. Simple, mundane noises like the crunching of concrete beneath sneakers, or the dropping of a briefcase, hit the ears like a tone of bricks. Not just because of the sound editing but because the films have conditioned us to know that silence is golden.

I don't think I've ever praised a Quiet Place film for its music, but the soundtrack in this one resonates just a bit more. The piano plays a significant part in Sam's backstory, and its use in the score help strike an emotional chord (Heh.) Also, this film features one of my absolute favorite needle-drop moments in cinematic history. You'll know it when you see it.

A Quiet Place: Day One is a delightful prequel that lives up to its predecessors. It may not be as suspenseful or as groundbreaking, but it's got heart, and it's got thrills. It's part I Am Legend, and part Seeking A Friend for The End of the World. A true summer blockbuster in an age where blockbusters are fighting to survive.

Speaking of fighting to survive, there's no way I would stay alive in these movies. I mean, with my seasonal allergies, and the way I sneeze? God help me...